Puntos de fuga. El caso de Rebeca Uribe

Authors

DOI:

https://doi.org/10.48162/rev.33.025

Keywords:

Social contexts, Inequity, Feminist literary theory, Nomadic reader, Female prototypes

Abstract

The term Vanishing points is used in this paper, as a metaphor that conceals the network of relationships between a real author and another assumed by the reader: the implicit author. The text that begins in the following paragraphs aims to bring together a Documentary biographical research, the reflection on the way in which feminism read the woman writers of the past and, also, it supposes to present a character whose silence has endured for more than seven decades.

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Author Biography

Silvia Quezada Camberos, Universidad de Guadalajara

Dra. en Humanidades y Artes, es investigadora del Sistema Nacional de Investigadores desde el año 2009. Profesora titular de tiempo completo en la Universidad de Guadalajara, México. Sus investigaciones más reciente son: Diccionario de escritoras en Guadalajara (Editorial Salto Mortal, 2017); Diccionario de escritores en Jalisco (Seminario de Cultura Mexicana, 2020) y Veintisiete escritores del Sur de Jalisco. Una antología desde el confinamiento (Amate Editorial, en prensa).

Published

02-09-2021 — Updated on 23-11-2021

Versions

How to Cite

Quezada Camberos, S. (2021). Puntos de fuga. El caso de Rebeca Uribe. Millcayac - Revista Digital De Ciencias Sociales, 8(15), 159–176. https://doi.org/10.48162/rev.33.025 (Original work published September 2, 2021)