The Tale of the Two Poets

Cadmus and Typhon in Book I of the Dionysiaca

Authors

  • Tadeu da Costa Andrade Universidade Federal da Bahia

Keywords:

imitation, Nonnus of Panopolis , poetical genres , poetics, rhetoric

Abstract

As its own title implies, Nonnus of Panopolis’ Dionysiaca sings the deeds of Dionysus. However, the narrative begins much earlier, with the adventures of one of his ancestors: Cadmus. In Book 1, Nonnus mixes the Phoenician hero’s journey with the battle between the gods and Typhon (the Typhonomachy). This mixture works as a means to praise Dionysus and his grandfather and to amplify the poem. On the other hand, it has metapoetic implications. Nonnus portraits Cadmus and Typhon as atypical poets. The very composition of the scene, based on a blend of Homer, Pindar and Theocritus, indicates the similarities and differences between Nonnus and his models. The characters’ vocabulary and style, on their turn, establish poetical approaches that reflect the poetics Nonnus states in his proem.

Author Biography

Tadeu da Costa Andrade, Universidade Federal da Bahia

Doctor en Letras Clásicas en la Universidade de São Paulo (USP) y Profesor Adjunto de Lengua y Literatura Griegas en la Universidade Federal da Bahia (UFBA). Es miembro de los siguientes proyectos de investigación: NALPE - Núcleo de Antiguidade, Literatura, Performance e Ensino (UFBA - CNPq); Estudos sobre jambo, elegia, mélica e música na Antiguidade Clássica (USP - CNPq) y Narrativas tardoantiguas: antecedentes intergenéricos, augusteos e imperiales, y su recepción medieval (UBACyT). Estudia la poética y la retórica en la Antigüedad, con enfoque en la lírica griega arcaica, la comedia ática y la épica tardoantigua. Le interesan las relaciones entre los preceptos explícitos, preservados en las obras de filósofos, gramáticos y rétores greco-latinos, y la poética implícita en la práctica literaria de diferentes géneros y períodos.

References

Aringer, N. (2012). Kadmos und Typhon als vorausdeutende Figuren in den Dionysiaka Bemerkungen zur Kompositionskunst des Nonnos von Panopolis. Wiener Studien, 125. 85-105.

Braden, G. (1974). Nonnos' Typhoon: Dionysiaca, Books I and II. Texas Studies in Literature and Language, 15 (5). 851-879.

De la Fuente, D. H. (2014). Neoplatonic Form and Content in Nonnus: Towards a New Reading of Nonnian Poetics. En Spanoudakis, K. (ed.). Nonnus of Panopolis in Context: Poetry and Cultural Milieu in Late Antiquity with a Section on Nonnus and the Modern World (pp. 229-250). Berlin, Bostin: De Gruyter.

D’ Ippolito, G. (2016). Nonnus’ Conventional Formulaic Style. En Accorinti, D. (ed.) Brill’s Companion to Nonnus of Panopolis (pp. 372-401). Leiden, Boston: Brill.

Geisz, C. (2016). Narrative and Digression in the Dionysiaca. En Accorinti, D. (ed.) Brill’s Companion to Nonnus of Panopolis (pp. 173-192). Leiden, Boston: Brill.

Gow, A. S. F. (ed., trad., com.). (1950). Theocritus. Vol. II: commentary, appendix, indexes and plates. Cambridge: University Press.

Halperin, D.M. (1983). Before Pastoral: Theocritus and the Ancient Tradition of Bucolic Poetry. New Haven: Yale University Press.

Hunter, R.L. (1999) Theocritus. A Selection: Idylls 1, 3, 4, 6, 7, 10, 11 and 13. Cambridge: Cambridge University Press.

Lasek, A. M. (2016). Nonnus and the Play of Genres. En Accorinti, D. (ed.) Brill’s Companion to Nonnus of Panopolis (pp. 401-421). Leiden, Boston: Brill.

Maciver, C. A. (2016). Nonnus and Imperial Greek Poetry. En Accorinti, D. (ed.) Brill’s Companion to Nonnus of Panopolis (pp. 529-548). Leiden, Boston: Brill.

Magnolo, A. (2017). Nonno e Arato: alcune proposte. Espacio, tiempo y forma 30. 231-254.

Manterola, S. D.; Pinkler, L. M. (trads.). (1995) Nono de Panópolis. Dionisíacas. Cantos I-XII. Madrid. Editorial Gredos.

Ortega, A. (trad.). (1984). Píndaro. Odas y fragmentos. Madrid: Editorial Gredos.

Piccardi, D. G. (2016). Nonnus’ Poetics. En Accorinti, D. (ed.) Brill’s Companion to Nonnus of Panopolis (pp, 422-442). Leiden, Boston: Brill.

Piccardi, D. G. (2018) Nonnus and Pindar. En Bannert, H.; Kröll, N. (eds.). Nonnus of Panopolis in Context II: Poetry, Religion, and Society (pp. 255-270). Leiden, Boston: Brill.

Sánchez, M. B. (trad.) (1980). Calímaco. Himnos, epigramas y fragmentos. Madrid: Editorial Gredos.

Schmiel, R. (1998). The style of Nonnos’ ‘Dionysiaca’: The Rape of Europa (1.45—136) and the Battle at the Hydaspes (22.1—24.143). Rheinisches Museum für Philologie 141 (3, 4). 393-406.

Shorrock, R. (2001). The Challenge of Epic. Allusive Engagement in the Dionysiaca of Nonnus. Leiden, Boston: Brill.

Vian, F. (ed., trad., com.). (1976). Nonnos de Panopolis. Les Dionysiaques. Tome 1: Chants I-II. Paris: Les Belles Lettres.

Vian, F. (ed., trad., com.). (1990). Nonnos de Panopolis. Les Dionysiaques. Tome 9: Chants XXV-XXIX. Paris: Les Belles Lettres.

West, M. L. (1997). When is a harp a panpipe? The meanings of πηκτίς. The Classical Quarterly 47 (1). 48-55.

Published

06-10-2025

How to Cite

da Costa Andrade, T. (2025). The Tale of the Two Poets: Cadmus and Typhon in Book I of the Dionysiaca. evista e studios Clásicos, (57), 1–12. etrieved from https://revistas.uncu.edu.ar/ojs3/index.php/revistaestudiosclasicos/article/view/7645

Issue

Section

Artículos originales