Classical Plots and Narratives in Modern and Contemporary Literatures

Authors

  • Guillermo De Santis Universidad Nacional de Córdoba - Consejo Nacional de Investigaciones Científicas y Técnicas, Argentina https://orcid.org/0000-0003-3545-7855
  • Marcos Carmignani Universidad Nacional de Córdoba - Consejo Nacional de Investigaciones Científicas y Técnicas https://orcid.org/0000-0003-2725-9269

DOI:

https://doi.org/10.48162/rev.43.089

Keywords:

classical reception, rewriting, classics

Abstract

This dossier examines the enduring presence of classical Greco-Roman literature not as the static preservation of untouchable texts, but as a dynamic practice of dialogue between the past and the present. Far from implying a lack of fidelity to the original, the appropriation, rewriting, reinterpretation and translation of classical plots constitute genuine forms of reimagination, in which ancient texts take on new meanings according to the historical, political and aesthetic contexts in which they are received. As an introduction to the Dossier Classical Plots and Narratives in Modern and Contemporary Literatures, this paper traces the theoretical milestones in the field of the ‘classical tradition’ and argues that every reading entails an active, rather than neutral, stance, which becomes decisive when it leads to rewriting. It also highlights the political malleability of classical plots and their capacity to operate outside the Western tradition, from peripheral geographies and languages. The six essays brought together here test this hypothesis against diverse corpora and confirm that Greco-Roman texts retain their power to generate new meanings.

Downloads

Download data is not yet available.

References

Atwood, M. (2005). The Penelopiad. Canongate.

Borges, J. L. (1989). Sobre los clásicos. En Obras completas (vol 2, p. 151). Emecé.

Calvino, I. (1991). Perché leggere i classici. Mondadori.

Curtius, E. R. (1955). Literatura europea y Edad Media latina. Fondo de Cultura Económica. (Original publicado en 1948).

García Jurado, F. (2007). ¿Por qué nació la juntura “Tradición Clásica”? Razones historiográficas para un concepto moderno. Cuadernos de Filología Clásica. Estudios Latinos, 27(2), 161-192. https://revistas.ucm.es/index.php/CFCL/article/view/CFCL0707120161A

García Jurado, F. (2024). Teoría de la tradición clásica. Conceptos, historia y métodos. Universidad Nacional Autónoma de México.

Hall, E. (2008). The Return of Ulysses: A Cultural History of Homer’s Odyssey. I. B. Tauris.

Hardwick, L. (2000). Translating Words, Translating Cultures. Duckworth.

Hardwick, L. y Stray, C. (Eds.) (2008). A Companion to Classical Receptions. Wiley-Blackwell.

Highet, G. (1954). La tradición clásica. Influencias griegas y romanas en la literatura occidental. Fondo de Cultura Económica. (Original publicado en 1949).

Homero (2017). The Odyssey. (Trad. E. Wilson). W. W. Norton.

Laguna Mariscal, G. (2004). ¿De dónde procede la denominación “Tradición Clásica”? Cuadernos de Filología Clásica. Estudios Latinos, 24(1), 83-93. https://revistas.ucm.es/index.php/CFCL/article/view/CFCL0404120083A

Martindale, C. y Thomas, R. F. (Eds.) (2006). Classics and the Uses of Reception. Blackwell.

Published

25-06-2026