Directing: an act of love. Interview with the stage director María Godoy

Authors

Keywords:

theatre in Mendoza, stage direction, scenic processes

Abstract

María Godoy is a multifaceted artist. In addition to being an actress, theatre director and coordinator of training and research spaces for acting, she has dabbled in dance and singing, and besides art, she studied and practices Chinese medicine. She has built her poetics from the margins, basing her theatre on independent and self-managed work. In this interview, Godoy talks about his modes of creation, recalls the processes of singular works, reviews the director-performer link and gives an account of her position on theatre.

References

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Barba, Eugenio y Nicola Savarese (1990). El arte secreto del actor. Diccionario de antropología teatral. México: International School of Theatre Anthropology.

Benjamin, Walter (2016). La obra de arte en la época de su reproducción técnica. Madrid: Casimiro.

Carroll, Lewis (2003). Alicia en el país de las maravillas. Buenos Aires: Ediciones del sur.

Fermine, Maxence (1999). Nieve. Barcelona: Anagrama.

García Lorca, Federico (1993). La casa de Bernarda Alba. Buenos Aires: Colihue.

Stanislavski, Konstantin (2003). El trabajo del actor sobre sí mismo. Barcelona: Alba.

Tolmacheva, Galina (1953). Ética y creación del actor. Ensayo sobre la “ética” de Konstantin Stanislavsky. Mendoza: Ministerio de educación, Universidad Nacional de Cuyo.

Published

30-06-2022

How to Cite

Manzone, M. V. (2022). Directing: an act of love. Interview with the stage director María Godoy. Boletín GEC, (29), 195–216. Retrieved from https://revistas.uncu.edu.ar/ojs3/index.php/boletingec/article/view/5893