Vol. 19 No. 1 (2025)

Published: 02-07-2025

Full Issue

PDF (Español (España))

Editorial

Agradecimiento de la directora. Celebrando veinte años de revista Melibea y del CIEM (2005- 2025)

Gladys Lizabe

3-7
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Nota editorial

Gladys Lizabe, Elbia Haydée Difabio

9-13
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Articles

Ophelia's Voice: From Orality to Tragedy A Comparative Study of the Voice of Shakespeare's Female Character

María Fernanda Escudero

14-25
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Female Playwriting? Reflections on Secular Theater Written by Women in the Golden Age

Mayra Ortiz Rodríguez

26-34
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Raising Her Voice With Caution The Writing of Sor Juana Inés de la Cruz in 17th-Century New Spain

María Paula Pires

35-45
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“Everything Depends On the Color of the Glass through Which You Look”. Reflections on the Constructions of the Female Figure in the Lyric Genre of the Golden Age

Stephanie Mailén Bustamante Salvatierra

46-58
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"The Humility of a Feminine Wit”. An Approach to the Lyrical Writing of Sister Violante del Cielo

Guadalupe Sobrón Tauber

59-69
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Violence against Women. Representations of Male Mental Illness, Martyrdom, and Uxoricide in Late Comes Disillusionment (1647), by María de Zayas

Rosangela Schardong

70-79
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Female Representations in Two 17th-Century Narrative Works: Cervantes and Zayas

María Elisa Molina Barrios

80-86
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Women's Writing in the Golden Age: “the struggle for identity” Approach to the Baroque Lyrics of Leonor De La Cueva y Silva

Jorgelina Ludueña

87-93
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Traces of Galician Nationalism and Regionalism in Two Commemorations of Rosalía De Castro in Buenos Aires (1897-1925)

Irene Jones

94-103
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Eduarda Mansilla. Una mujer que contiene multitudes

Luciana Laura Barrena

104-111
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Violence and Power in Stories about the War by Carmen De Burgos

Mirtha Laura Rigoni

112-121
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Female Poetic Dialogues in Badajoz Newspaper El Liceo (1844)

Marta Beatriz Ferarri

122-133
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Archetypal Ideas of the Victorian Woman According to Coventry Patmore in his Book The Angel in the House

Martina López, Delfina Antonella Gialluca

134-142
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"Immoral Doctrines" As a Plot. Two Women by Gertrudis Gómez de Avellaneda

Guadalupe Correa Chiarotti

143-149
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Motherhood in Close-Up. La Figlia Oscura from Literature to Cinema

Laura Martín Osorio

150-161
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Vol. 19 No. 1 (2025)

Full Issue

Editorial

Agradecimiento de la directora. Celebrando veinte años de revista Melibea y del CIEM (2005- 2025)

Nota editorial

Articles

Ophelia's Voice: From Orality to Tragedy A Comparative Study of the Voice of Shakespeare's Female Character

Female Playwriting? Reflections on Secular Theater Written by Women in the Golden Age

Raising Her Voice With Caution The Writing of Sor Juana Inés de la Cruz in 17th-Century New Spain

“Everything Depends On the Color of the Glass through Which You Look”. Reflections on the Constructions of the Female Figure in the Lyric Genre of the Golden Age

"The Humility of a Feminine Wit”. An Approach to the Lyrical Writing of Sister Violante del Cielo

Violence against Women. Representations of Male Mental Illness, Martyrdom, and Uxoricide in Late Comes Disillusionment (1647), by María de Zayas

Female Representations in Two 17th-Century Narrative Works: Cervantes and Zayas

Women's Writing in the Golden Age: “the struggle for identity” Approach to the Baroque Lyrics of Leonor De La Cueva y Silva

Traces of Galician Nationalism and Regionalism in Two Commemorations of Rosalía De Castro in Buenos Aires (1897-1925)

Eduarda Mansilla. Una mujer que contiene multitudes

Violence and Power in Stories about the War by Carmen De Burgos

Female Poetic Dialogues in Badajoz Newspaper El Liceo (1844)

Archetypal Ideas of the Victorian Woman According to Coventry Patmore in his Book The Angel in the House

"Immoral Doctrines" As a Plot. Two Women by Gertrudis Gómez de Avellaneda

Motherhood in Close-Up. La Figlia Oscura from Literature to Cinema

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