Walking With Cristina Rivera Garza
“The Craft of Writing Has Always Been Inseparable from the Craft of Accompanying Others"
Keywords:
Cristina Rivera Garza, community writing, peripatetic school, writing from the United States, essay, chronicleAbstract
Written in the style of a chronicle, this essay traces several years of walks with Cristina Rivera Garza through streets, institutions, book fairs, conferences, and award ceremonies. Through these journeys, the text delves into some of her works and reflects on how, as a thinker, writer, teacher, and advocate for women’s rights, she has transformed the literary scene, academia, and public discourse over more than thirty years of tireless work. The essay is also a tribute to the rigor and perseverance required to build a body of work from the United States —and particularly from Texas—where writing in Spanish entails facing constant cultural, linguistic, and political challenges.
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References
Couturier, G. (s.f.). Siempre un destierro.
Rivera Garza, C. (1991). La guerra no importa.
Rivera Garza, C. (1997). Nadie me verá llorar.
Rivera Garza, C. (2009). Por la muerte me da.
Rivera Garza, C. (2011). Disco Newton. Diez ensayos sobre el color. Bonobos Editores.
Rivera Garza, C. (2011). Dolerse. Textos de un país dolido. Sur+ Ediciones.
Rivera Garza, C. (2013). Los muertos indóciles: necroescrituras y desapropiación.
Rivera Garza, C. (2019). La fractura exacta. Poesía completa. Ediciones Libros del Cardo.
Rivera Garza, C. (2021). Andamos perras, andamos diablas. Dharma Books.
Rivera Garza, C. (2021). El invencible verano de Liliana.
Rivera Garza, C. (2021). Lo roto precede a lo entero. 125 infraensayos. Literal Publishing.
Rivera Garza, C. (2021). The Iliac Crest.
Rivera Garza, C. (2022). El invencible verano de Liliana. Editorial Mantis.
Rivera Garza, C. (s.f.). Autobiografía del algodón.
Rivera Garza, C. (2025). Terreste.
Zapata, I. (s.f.). Empty Pool.
