Hildegard Rosenthal descubre la modernidad brasileña

Autores/as

  • David Foster Arizona State University

Palabras clave:

Rosenthal, Hildegard, São Paulo en la fotografía, Modernidad (Brasil) y la fotografía.

Resumen

Hildegard Rosenthal (1913-1990) hizo el primer relevamiento fotográfico sistématico de São Paulo a fines de la década del treinta y comienzos del cuarenta. Representa a un extenso grupo de fotógrafos de origen europeo (en gran parte, judíos) que "descubrieron" la ciudad de São Paulo, en particular en el período del auge del proyecto de modernidad que se estaba afirmando en dicha urbe. Este ensayo examina algunos de los parámetros del trabajo de Rosenthal que tiene tanta resonancia en la historia de la fotografía brasileña.

Biografía del autor/a

David Foster, Arizona State University

David William Foster (Ph.D., University of Washington, 1964 [BA, 1961; MA, 1963 University of Washington]) Regents' Professor of Spanish, Humanities, and Women's Studies at Arizona State University. He served as Chair of the Department of Languages and Literatures from 1997-2001. In Spring 2009, he served as the Ednagene and Jordan Davidson Eminent Scholar in the Humanities at Florida International University. His research inter¬ests focus on urban culture in Latin America, with emphasis on issues of gender construction and sexual identity, as well as Jewish culture. He has written extensively on Argentine narrative and theater, and he has held Fulbright teaching appointments in Argentina, Brazil, and Uruguay. He has also served as an Inter-American Development Bank Professor in Chile. McFarland Publishing brought out Urban Photography in Argentina in 2007. São Paulo: Perspectives on the City and Cultural Production was published in 2011 by the University Press of Florida. Latin American Documentary Filmmaking: Major Texts (University of Arizona Press) and Glimpses of Phoenix: The Desert Metropolis in Written and Visual Media (McFarland Publishing) both come out in 2013. In June-July 2013, as in June 2013, Foster directed a program in São Paulo on Urban Brazilian Narrative as part of the National Endowmnent for the Humanities Summer Seminars for College and University Teachers.

Citas

Beal, Sophia. Brazil under Construction: Fiction and Public Works. New York: Palgrave Macmillan, 2013.

Camargo, Mônica Junqueira de y Ricardo Mendes. Fotografia: cultura e fotografía paulistana no século XX. São Paulo: Secretaria Municipal de Cultura, 1992.

Dean, Warren. The Industrialization of São Paulo 1880-1945. Austin: Univesity of Texas Press, 1969.

Foster, David William. "Cultural Re-Visions of the Brazilian Troupe, Dzi Croquettes." Karpa 6 (2013). http://web.calstatela.edu/misc/karpa/Karpa6.2/ Site%20Folder/foster1.html) Consultado: 12/6/2018.

Foster, David William. São Paulo: Perspectives on the City and Cultural Production. Gainesville: UP of Florida, 2011.

Lévi-Strauss. Saudades de São Paulo. São Paulo: Instituto Moreira Salles, 1996.

Oliveira, Maria Luiza Ferreira de. "Apresentação." Hildegard Rosenthal, Metrópole. São Paulo: Instituto Moreira Salles, 2010: 7-27.

Rago, Margareth. Os prazeres da noite: prostitução e códigos da sexualidade feminine

em São Paulo (1890-1930). Rio de Janeiro: Paz e Terra, 1991.

Rosenthal, Hildegard. Cenas urbanas. São Paulo: Instituto Moreira Salles, 1999.

Rosenthal, Hildegard, Metrópole. Org. Maria Luiza Ferreira de Oliveira. São Paulo: Instituto Moreira Salles, 2010.

Toledo, Benedito Lima de. "Um olhar encantado pelos tipos humanos." Hildegard Rosenthal, Cenas urbanas. São Paulo: Instituto Moreira Salles, 1999: 8-13.

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Publicado

01-06-2019

Cómo citar

Foster, D. (2019). Hildegard Rosenthal descubre la modernidad brasileña. Cuadernos Del CILHA, 20(1), 17–31. Recuperado a partir de https://revistas.uncu.edu.ar/ojs3/index.php/cilha/article/view/1912

Número

Vol. 20 Núm. 1 (2019): Dosier: Estudios comparados: un método para la unidad latinoamericana. Segunda parte

Sección

Dossier

Licencia

Licencia