Vol. 12 No. 22 (2025)

Editorial

Tapa Millcayac Digital - Volumen XII, Número 22, Año 2025

Lucía Coria
Política Editorial

SIPUC FCPyS. UNCUYO

DOSSIER

Introduction: Epistemic-Political Resonances of Gloria Anzaldúa's Work

Victoria Martínez Espínola, Estela Fernández Nadal

1-7
Language and Politics: Languages of Borderland

Martha Palacio Avendaño

1-18
Borders, Identities, And Chicana Feminism An Analysis of The Notion Of Mestizaje in Borderlands by Gloria Anzaldúa

Romina Accossatto

1-9
“Muy andariega mi hija” Lesbianism as a path of knowledge in Gloria Anzaldúa

Aránzazu Hernández Piñero

1-21
The Border as A Poietic Shelter and Maker of World/S In Gloria Anzaldúa

María Eugenia Borsani

1-15
Detained In the Scare. Resistance Practices on The Border-Territory

Mariana Alvarado, Natalia Fischetti

1-15
“I Am the One Who Writes and Is Written.” Experiential Narratives By/About Gloria Anzaldúa for An Intellectual Genealogy

Valeria Fernández Hasan

1-17
Nepantleras. Spiritual artivism in Gloria E. Anzaldúa´s work

Karina Andrea Bidaseca

1-12
Las deslenguadas: Archives and self-history/s between Gloria Anzaldúa and Mujeres Creando

Camila Kevorkian

1-12
More than just a bunch of bones: the meaning of silence in Gloria Anzaldúa

Mariana Itatí Ortiz

1-14

Estado y Movimientos Sociales en Nuestra América

Carnival and Class Structure: Participation Dynamics and Social Relations in the Recife and Olinda Carnival

Javier Carri, Alberto Antonio Emilio Galle

1-23
Indigenous Movements and Their Impact on The Linguistic Rights of Ethnic Groups in Colombia

Jenyffer Hipia Chamorro

1-23

Bienes Comunes y Sociedad

Eviction processes and housing counseling services Contributions from the Experience of a Housing and Meeting Information Point (PIVE) in Seville, Spain

Agustina Girado

1-25
Agricultural schools and agroecology. Meanings, appropriations and co-production of knowledge

Darío Gabriel Martínez

1-22
Imploding multitude: precariousness and emotive tones

Ernesto Masramón

1-12

Género y Derechos Humanos

Putting Carnival into Perspective: Notes Toward a Situational Overview of Carnival in Mendoza

Hanna Natalí Lust, Camila Millán

1-25

Comunicación, Arte y Cultura:

To Feel That Thirty Years Is Nothing The Role of Volver Channel in The Management and Dissemination of Audiovisual Television Archives

Elina Adduci Spina

1-27
Latin America, on the frontiers of art

Fiorella Sofía Ciciani Mondino

1-7
Media convergence, audience participation and enhancement of cultural past in hypermedia YouTube and Pablo Molinari's audiovisual product “Perdón, Centennials”

Javier Cossalter

1-24
Popular magazines as memory supports: political humor and graphic feminism

Nahuel Lejtman

1-18

Editorial

Tapa Millcayac Digital - Volumen XII, Número 22, Año 2025

Política Editorial

DOSSIER

Introduction: Epistemic-Political Resonances of Gloria Anzaldúa's Work

Language and Politics: Languages of Borderland

Borders, Identities, And Chicana Feminism An Analysis of The Notion Of Mestizaje in Borderlands by Gloria Anzaldúa

“Muy andariega mi hija” Lesbianism as a path of knowledge in Gloria Anzaldúa

The Border as A Poietic Shelter and Maker of World/S In Gloria Anzaldúa

Detained In the Scare. Resistance Practices on The Border-Territory

“I Am the One Who Writes and Is Written.” Experiential Narratives By/About Gloria Anzaldúa for An Intellectual Genealogy

Nepantleras. Spiritual artivism in Gloria E. Anzaldúa´s work

Las deslenguadas: Archives and self-history/s between Gloria Anzaldúa and Mujeres Creando

More than just a bunch of bones: the meaning of silence in Gloria Anzaldúa

Estado y Movimientos Sociales en Nuestra América

Carnival and Class Structure: Participation Dynamics and Social Relations in the Recife and Olinda Carnival

Indigenous Movements and Their Impact on The Linguistic Rights of Ethnic Groups in Colombia

Bienes Comunes y Sociedad

Eviction processes and housing counseling services Contributions from the Experience of a Housing and Meeting Information Point (PIVE) in Seville, Spain

Agricultural schools and agroecology. Meanings, appropriations and co-production of knowledge

Imploding multitude: precariousness and emotive tones

Género y Derechos Humanos

Putting Carnival into Perspective: Notes Toward a Situational Overview of Carnival in Mendoza

Comunicación, Arte y Cultura:

To Feel That Thirty Years Is Nothing The Role of Volver Channel in The Management and Dissemination of Audiovisual Television Archives

Latin America, on the frontiers of art

Media convergence, audience participation and enhancement of cultural past in hypermedia YouTube and Pablo Molinari's audiovisual product “Perdón, Centennials”

Popular magazines as memory supports: political humor and graphic feminism

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