Cartões postais do centro de Reno

Montagens culturais e intermediais

Autores

DOI:

https://doi.org/10.48162/rev.45.040

Palavras-chave:

Assemblage, Intermidialidade, Cultura Americana, Turismo

Resumo

Este artigo examina cartões-postais turísticos de linho retratando o centro de Reno nas décadas de 1930 e 1940. Adota a noção de assemblage para compreender esses cartões-postais como objetos culturais intermidiáticos e identificar tensões e ressonâncias entre cores, técnicas e materiais, mídias (incluindo o cinema), o imaginário público de Reno em romances e filmes literários, e a experiência cinematográfica da cidade e a expectativa de representação afetiva dos cartões-postais. Além disso, o artigo mostra como os cartões-postais serviram como agentes culturais na reformulação e na concepção de Reno como "a menor cidade do mundo" e um refúgio para a cultura branca "americana".

Biografia do Autor

Juan Carlos Guerrero Hernández, Department of Art. University of Nevada, Art, Art History, and Design Department

Is an assistant professor of Art History. His research of contemporary art at the intersection of moving images, photography, performance, collective memory, and decoloniality has been supported by several grants and been published in journals such as TDR/The Drama Review, Photographies, Revista de Estudios Sociales, and Photography and Culture, and books such as Walking with the Enemy: The Art of Subversive Mimicry in the Post-Truth Era (Manchester University Press, 2026), Pop Cinema (Edinburgh University Press, 2024), and Ventriloquism, Performance, and Contemporary Art (Routledge, 2023).

Referências

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Publicado

30-11-2025

Como Citar

Guerrero Hernández, J. C. (2025). Cartões postais do centro de Reno: Montagens culturais e intermediais. uadernos e istoria el rte, (45), 242–270. https://doi.org/10.48162/rev.45.040