Открытки из центра Рино

интермедийные и культурные комплексы

Авторы

DOI:

https://doi.org/10.48162/rev.45.040

Ключевые слова:

Ensamblaje, Intermedialidad, Cultura estadounidense, Turismo

Аннотация

В данной статье рассматриваются туристические открытки из льна, изображающие центр Рино в 1930-х и 1940-х годах. В статье используется понятие ассамбляжа, чтобы понять эти открытки как интермедиальные культурные объекты и выявить противоречия и резонансы между цветами, техниками и материалами, медиа (включая кинематограф), общественным восприятием Рино в литературных романах и фильмах, а также кинематографическим восприятием города и ожиданиями от аффективной репрезентации открыток. Кроме того, в статье показано, как открытки служили культурными агентами, переосмысливая и представляя Рино как «самый маленький город в мире» и убежище для белой «американской» культуры.

Биография автора

Juan Carlos Guerrero Hernández, Department of Art. University of Nevada, Art, Art History, and Design Department

Is an assistant professor of Art History. His research of contemporary art at the intersection of moving images, photography, performance, collective memory, and decoloniality has been supported by several grants and been published in journals such as TDR/The Drama Review, Photographies, Revista de Estudios Sociales, and Photography and Culture, and books such as Walking with the Enemy: The Art of Subversive Mimicry in the Post-Truth Era (Manchester University Press, 2026), Pop Cinema (Edinburgh University Press, 2024), and Ventriloquism, Performance, and Contemporary Art (Routledge, 2023).

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Опубликован

30-11-2025

Как цитировать

Guerrero Hernández, J. C. (2025). Открытки из центра Рино: интермедийные и культурные комплексы. uadernos e istoria el rte, (45), 242–270. https://doi.org/10.48162/rev.45.040